搜索到與 “羅班松·斯泰弗南” 相關(guān)的 “3” 條結(jié)果

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    飄零雙燕

    • 主演:伊莎貝爾·于佩爾 布魯·歐吉爾 阿麗爾·朵巴絲勒 安尼卡·庫爾 羅班松·斯泰弗南 讓-弗朗索瓦·斯泰弗南 羅基里奧·薩莫拉 曼努埃爾?布蘭科 Tim Fischer 
    • 導(dǎo)演:沃納·施羅德 
    • 分類:劇情
    • 地區(qū):法國
    • 年份:2002
    • 更新:2025-02-10 02:49:47
    • 簡介:Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. ?Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. ?Magdalena lives with her adopted parents and works in an art gallery. ?The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.  Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. ?Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. ?The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. ?The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. ?Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. ?The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
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    安東契科夫的1890

    • 主演:尼古拉斯·吉?jiǎng)诘?/a> 洛麗塔·夏馬 羅班松·斯泰弗南 賈克·鮑那非 珍娜·蒂亞姆 
    • 導(dǎo)演:勒內(nèi)·費(fèi)雷 
    • 分類:劇情
    • 地區(qū):法國
    • 年份:2015
    • 更新:2025-02-10 00:19:56
    • 簡介:在1890年之前,作家契科夫(尼古拉斯·吉?jiǎng)诘?Nicolas Giraud 飾)創(chuàng)作的多為富有喜劇和諷刺色彩的輕松作品,他的作品因?yàn)樵溨C幽默又淺顯易懂,深受民眾的喜愛,俄國科學(xué)院為了表彰他給世界帶來的精神財(cái)富,將“普希金獎(jiǎng)”頒發(fā)給了契科夫。  1890年,契科夫孤身一人跨越了千山萬水,來到了庫頁島,這里曾經(jīng)是政治犯的流放地。庫頁島上宛如人間地獄一般的景象深深的撼動(dòng)了契科夫的內(nèi)心,他開始意識(shí)到,在自己熟悉的世界之外,還有這么多人生活在苦難和貧窮之中。從此,契科夫一改文風(fēng),以庫頁島之行作為素材,開始撰寫揭露沙俄專制制度的作品。
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    世界的勝利

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